RSS.Social

The Easel

follow: @[email protected]

Posts

Heart of darkness

Marcel Duchamp, Reactionary? A MoMA Retrospective Exposes The Radical Artist’s Bourgeois Yearnings

Flora Indica unearths botanical drawings. They were lost to colonialism for two centuries

Where the Light Falls

Their art was whimsical, elegant, ‘scandalous,’ and colorful. It was also revolutionary.

Lynette Yiadom-Boakye: Many A Moonlit Caveat

Van Dyck, the European

This Novel Traces Painter Richard Dadd’s Descent into Madness and Murder

Buckingham Palace’s Royal Picture Gallery Revives the Salon-Style Hang, Doubling the Number of Masterpieces on View

Who, Exactly, Were All Those Girls in Renoir’s Paintings?

‘Get wild’: 10 things to know about Tom Wesselmann

Through Graciela Iturbide’s Eyes: Ritual, Identity, and the Poetry of Mexico

Ana Mendieta review – were she still alive she’d be at the forefront of art in this century

Controversial Costumes at the Met’s Newest Galleries

‘A distinct Canadian character’: The 1920s paintings that changed how the world saw Canada

Who gets to be an American artist?

From Hokusai to Hogarth, a landmark new book explores the history of printmaking

Clearly Fake: Zurbarán’s Uncanny Realism

Frida Kahlo: Tate Mistakes the Icon for the Artist

James Turrell’s 100th Skyspace

Matisse’s Femme au chapeau: From Scandal to Icon

Willem de Kooning: The Breakthrough Years, 1945–50

The unsung artists of Spain’s Golden Age

Waldmüller: Landscapes – a cool Alpine antidote to London heatwaves

America 250: The Essential Paintings of Our Nation

Adored Image

MC Escher, the wizard of weirdness who inspired Pink Floyd — and me

How Gabriele Stötzer Defied the Stasi

Raphael and Antiquity

In Porto, airbrushing the Gehry legend

The World’s First AI Art Museum Has a Strange Way of Honoring the Rainforest

Anish Kapoor disorientates, delights and disturbs at the Hayward Gallery

JR’s inflatable cave across the pont neuf is now open in Paris

Did we all get Orientalism wrong?

The art of the unfinished masterpiece

What’s the Matter With Museums?

David Hockney, whose art celebrated sun-drenched Los Angeles, dead at 88

Why Duane Michals’s beautiful fictions matter more than facts.

‘I am very serious about being silly’: children’s illustrators on the art of storytelling

Sorry, but Pace’s cutbacks aren’t the death of mega-galleries

In London, Hauser & Wirth offers a rare glimpse into Francis Picabia’s experimental world

A Curator’s View

Marilyn Monroe at the National Portrait Gallery – the woman who became a masterpiece

Gaudí Centenary celebrates the legacy of an architect like no other

How Trump’s arch gets classical wrong

Brought to light

Saint-Porchaire Ceramics: Rediscovered Treasures of the French Renaissance

The chaos and passion of Peter Hujar and Paul Thek

I lived near a serial killer’: Steven Shearer on turning teen angst and death metal into high art

Book reveals how Chintz—India’s precious textile pattern—became a precolonial global export

Everything you need to know about the Bayeux Tapestry

My visit to the Russian show that plunged a dagger into the Venice Biennale’s heart

Digital artists were right all along, says Trevor Paglen

As Full-Time Art Critics All But Disappear, What Can We Learn From the Retiring Generation?

Anni Albers: the weaver who rewrote modernism

Paul Klee

Remembering Raghu Rai: The photographer who showed India to itself

Mum isn’t the only word at Tate’s magnificent Whistler show

Leonora Carrington At Last

Admit it, art snobs: Winston Churchill was a surprisingly decent painter

The 21st Century’s Biggest Art Trend is Not a Style. But Once You See It, You’ll Notice It Everywhere

Human Touch Wins Big With the 2026 Loewe Craft Prize

Beauty and Ugliness

The Ignorant Art Historian: The Blind Man’s Meal

‘It’s Personal’: Aerin Lauder Zinterhofer and Max Hollein on the Met’s Groundbreaking Merger With the Neue Galerie

AI induced cultural stagnation is no longer speculation − it’s already happening

I thought William Blake was a one-off but this powerful show surprised me

Georg Baselitz, the German painter who turned postwar art upside down, dies at 88

Cecily Brown: ‘Painting happens very quickly; often I don’t know if it’s working’

First Impressions of a Venice Biennale Torn Apart by the Present

Henry Moore at Kew: Monumental Nature

The fierce life of Louise Bourgeois

Recasting the monument for divided times

Silver is Dead: Long Live Silver

Spanish Baroque Painter Zurbarán: Essential Meditative Moments at the National Gallery

Ettore Sottsass: Italy’s king of anti-design

Francis Bacon: Reinventing realism

Art: my part in its downfall

The Bard Graduate Center Mounts the First U.S. Exhibition of Viollet-le-Duc’s Expansive Drawing Practice

Unfinished magic

Marcel Duchamp at MoMA: Five Revelations From the Artist’s First North American Survey in Over 50 Years

A Landmark Calder Exhibition with Over 300 of His Revolutionary Works Goes on View in Paris

Brassaï – the secret signs of Paris

Zumthor earns his L.A. stripes

Sacred Parallelogram

Hammershøi: The Eye That Listens

Franz Xaver Messerschmidt and His Bizarre Character Heads

How a humble print store in Cannes helped write modern art history

‘New Humans’ and the Strange End of Contemporary Art as We Know It

In the garden of the surreal

How much can we learn from the Shakers today? Many artists and designers are trying to find out

Get the kettle’s on

In Defense of Pet Portraiture as a Worthy Art Form

Raphael at the Met, Review: A Must-See Show the ‘Greatest Influencer’

Painter Hurvin Anderson’s blend of memory and history is mesmerising at Tate Britain

Start Here: 5 things to know about Michaelina Wautier

Matisse, 1941-1954 review – hit after glorious hit in a show of life-enhancing genius

The great imagination of John Vanbrugh

Charles Jencks’ garden of cosmic speculation translates science into shared experience

Leica hawk

Paris Rediscovers its Poetic Eye: Robert Doisneau Returns Home

Art market analysis: The 2026 Art Basel and UBS Art Market Report

What Do We Really Think of the New New Museum?

On Color Fidelity

Tudor Courtiers Exchanged Portrait Miniatures as Love Tokens. Centuries Later, New Research Is Unlocking the Secrets of These Intimate Artworks

Catherine Opie Documenting Marginalised Voices NPG

Beatriz González at the Barbican: brilliantly coded art that evaded the secret police

The People’s Treasures: Sharing Korea’s Cultural Heritage

‘Negatives are photographic truths’: the collector who fled Russia with a haul of second world war images

David Hockney review: The iPad paintings underwhelm but it’s hard not to be cheered by this show

Stubbs: Portrait of a Horse review – this magnificent nag deserves a longer canter

Pat Oleszko

A Sweeping Retrospective for Artist Carol Bove Positions Her Among the Sculptural Titans

Whitney Biennial 2026 Review: The Revolution Will Be Cute

Inside the Enigmatic Mind of Photographer Larry Sultan

Bird-Shaped Promises and Life After War: ‘Dagobert Peche: Ornamental Genius’ at the Neue Galerie

Blood on the Canvas

The Polite Art of Lending Loot

Rose Wylie Memories Relived and Shared

Jasper Johns: between the clock and the bed

Tracey Emin’s A Second Life at the Tate Modern: beyond the YBA heyday, the artist sings anew

Can the Louvre still be saved?

Art after Ovid

Rare Basquiat Drawings Go On View in Denmark

The Resurging Relevance of The School of London Painters

Yoko Ono’s Art Is an Exercise in Hope

The Worst Show of 2025

How Kaari Upson turned her world upside down

“In the rush to draw a line under the age of the starchitect, we’re at risk of losing more than we think”

Between Worlds: Visitors to 37-08 Utopia Parkway

Bright shiny art

Lucian Freud The Curator’s Egg National Portrait Gallery

The AI Slop of Pierre Huyghe

Zip it

The Bedazzling, Wild Designs of Modernism’s Forgotten Genius

Seurat and the sea – Courtauld Gallery

Eugène Atget, Readymade Icon

“Gainsborough: The Fashion of Portraiture” Goes on View At The Frick Collection

Henri Rousseau’s wild dreams

Prisoner of war

German Expressionist Gabriele Münter Finally Gets Her Moment in the Spotlight

The private lives of Gwen John

No longer the best advert for good art

William Eggleston: The Last Dyes at David Zwirner

The Unfolding of Time in Paint

A New British Museum Exhibition Peels Back the Layers of the Samurai Myth

Celebrated Gallerist Marian Goodman Has Died at 97

The Woman Who Immortalized the Bauhaus

A man of women

Christmas break

Playing with Fire: Edmund de Waal and Axel Salto

Mrinalini Mukherjee and the giants of Indian art

L.A. exploded into a world art capital. I was lucky to be here to witness it

State of the Art

Hot pink stained glass in Notre Dame? Experts tell a skeptical public it’s all part of tradition

Remembering Martin Parr (1952–2025)

An Exhibition at the Met May Just Make Finnish Modernist Helene Schjerfbeck Your New Favorite Artist

Jeff Koons with Joachim Pissarro

Westwood | Kawakubo: NGV hosts the works of two iconic catwalk rebels

June Leaf: ‘Shooting From the Heart’: The Grey Art Museum Honors a Lifetime of Uncompromising Creation

Bridget Riley and the pleasure of looking

Frank Gehry, masterful architect who transformed L.A.’s urban landscape, dies at 96

Five Ways of Looking at Wifredo Lam

Tyler Mitchell: the photographer of the moment

The 2025 Power 100: A User’s Guide

Protest Photography

Varnish & Virtue

“Origins of Impressionism” at the Met

Recollecting Forwards

Jennifer Packer: Dead Letter

The Conjurer of the Sublime vs. The Cloud Architect: Turner and Constable at Tate Britain shows off a good old fashioned rivalry which is utterly spell-binding

Robert Therrien’s smashing retrospective is among the year’s best museum solo shows

William Nicholson and the pleasure in the paint

When Homer Went to Gloucester

Spectrum of desire

Get Cartier! How Jean Nouvel turned an old Paris department store into a museum to rival the Louvre

Unintended Beauty

The rise and rise of private foundations in France

Finland’s lighthouse

Studio Museum in Harlem Reopens in a Stunning New Home

Refurbishing modernism

Gifted by Emperor Nicholas II to the Dowager Empress Maria Feodorovna on Easter Day, 1913: the Winter Egg

The enduring appeal of Limoges

Malick Sidibé Was an Architect of Utopia and Purveyor of Nostalgia

The fallout from Nigeria’s spectacular $25m museum and the Benin Bronzes

Wright of Derby: From the Shadows, National Gallery review – an exhibition that illuminates the shadows of the enlightenment age

Egypt’s Grand Museum opens, displaying Tutankhamun tomb in full for first time

Facing the truth about apartheid

100 years of Calder’s circus

This 17th-Century Female Artist Was Once a Bigger Star Than Rembrandt. Why Did History Forget About Johanna Koerten and Her Peers?

A Devotion to Art

Paris Photo 2025: Exploring the Curation

In the Shadow of Ruth Asawa

L.S. Lowry’s ‘Coming Out of School’: Painting His Own Gray World

The Louvre’s Jacques-Louis David Retrospective Offers a Fresh Perspective on the French Master

Juliana Halpert Rates the Los Angeles Art Scene’s Tricks and Treats So Far This Fall

Framing in museums

How a polka-dotted pumpkin became the world’s most coveted art installation

Meet the Gods and Goddesses in the Met’s ‘Divine Egypt’

Dismantled or Not, Confederate Monuments Still Have Power. This New Landmark Exhibition Grapples With It.

5 Things to Know about the Friendship of Manet and Morisot

Fra Angelico

One painting at a time: ‘The Third of May 1808’ by Francisco Goya

Wayne Thiebaud’s slices of Americana

Taking a dance through Cecil Beaton’s fashionable world

The Turner prize is the cockroach of art

A Night at Max’s Kansas City: Seeing and Being Seen in the 1970s NYC Art World

Renoir’s drawings showcased in major exhibition, the first of its kind in over a century

New York’s Biggest Monet Show in 25 Years Is a Revelation

British Museum starts fundraiser to save rare gold pendant of Henry VIII

Peter Doig Turns Serpentine Into A Living Soundscape With ‘House Of Music’

Nigerian Modernism in London: ‘A bold new language for art’

Calder Gardens, a Stunning New Tribute to Alexander Calder, Opens in Philadelphia

The sublime and silly art of Sèvres

Inside the V&A’s Marie Antionette Style with curator Dr Sarah Grant

How Hans Ulrich Obrist Became the World’s Most Influential Curator

Rauschenberg’s New York and the problem of seeing only surfaces

Michaelina Wautier: the female Flemish artist now seen as an old master

Lee Miller review, Tate Britain – Seeks to rescue the artist from her role of iconic beauty and muse

Art Deco at 100: All Cocktails and Jazz?

Gilbert & George review, 21st Century Pictures: Hayward Gallery exhibition is quite hectically of the moment

How Europe Became Obsessed With Chinese Art (Chinoiserie)

Theatre Picasso review, Tate Modern – Familiar works transformed by a bold, atmospheric setting

‘The Art of Manga’ Brings New Worlds to the de Young Museum

In Milan, the fashion world gathers to say goodbye to Giorgio Armani at his final show

‘Sixties Surreal’ Curator Dan Nadel Is Expanding American Art History, One Outlier at a Time

The Lucas Museum and the Question of Narrative Art

The Trailblazing, Shapeshifting Artist Suzanne Duchamp Gets a Museum Retrospective, Finally

Enthusiastic about Pictures

Kerry James Marshall: The Histories

Seydou Keïta’s Revelatory Portraits of Malian Life

‘Little Beasts’ at the National Gallery

Georges de La Tour, the luminous to rediscover at the Jacquemart-André Museum