The Cine Lens

TLS Offers Zeiss S16 Rehousing

Cooke Optics Appoints Rob Haycock as Chief Executive Officer

TRIBE7 Introduces K70 Primes for 65mm Capture

NiSi Releases A Drop-in Filter Adapter

Thypoch Introduces Simera-C 100mm T1.9 Cine Lens

Cooke Introduces S4 FF/i Full-Frame Primes

Leitz Cine Introduces iD Mount for Hugo and Summilux-C Lenses

The DZOFilm Arles Zooms Preorders Open!

SIGMA releases 3 new AIZU primes!

Laowa Introduces the Aksen High-Magnification Macro Zooms

Cooke Adds Z Mount to SP3 Primes

P+S Technik Introduces Hexamo Mount for Leitz Hektor Lenses on Arri Alexa

Fujifilm Announces Fujinon GF 19-35mm T3.5 PZ OIS WR

Kipon Announces Vari-ND PL Mount Adapter

DZO Releases new Octopus Adapter and Marlin 1.4x Extender for PL Lenses

Laowa Refocuses on Long-Range Cine Broadcast Zooms

Zeiss Introduces Horizon Anamorphic – Intelligent Anamorphics

ZEISS Introduces Panoptes 65 – Large Format Primes

Thypoch Adds 16mm T1.9 to Simera-C Line

TLS Introduces Helix65 – a 75mm 1:1 Macro Prime

Cooke Launches AP3 Anamorphic Primes

Tribe7 Launches Obscura37 – A Pinhole Lens!

Leitz Cine Adds Fujifilm G Mount Option for Hektor Primes

Rehousing a Classic: TLS Modernizes the Angenieux 45–90mm

Angenieux Expands Line with Optimo Ultra 12x 65

Duclos FrameGen – a Simple Framing Chart Generator

Canon Debuts Cine-Servo 40-1200mm T5.0-10.8

NiSi Introduces 65 PRIME 16mm T2.9

Duclos Lenses Develops New Synthetic Coating Technology

DZOFilm Introduces Arcana Primes – A Hybrid Approach to Anamorphic

NiSi Hits Rewind on Athena Primes

Zeiss Introduces Aatma Primes: Heritage Influence, Modern Intent

A New Dawn: Laowa Sunlight Anamorphic Zooms

Thorium-Induced Yellowing in Mid-Century Lenses – Cause, Effect, and Solutions

Canon CINE SERVO 11-55mm T2.95 – Built for Broadcast, Ready for Cinema

HEKTOR: New Inspired Primes from Leitz Cine

Sigma Launches AF Cine 28-45mm T2 FF Zoom