Notes On Cinematograph

The Brave Bulls (Robert Rossen, 1951)

Address Unknown (William Cameron Menzies, 1944)

The Brilliance of British Postwar Cinema – A Conversation

Washington Merry-Go-Round (James Cruze, 1932)

Let Us Live (John Brahm, 1939)

Abbas Kiarostami's Early Shorts and Features on Criterion Blu-ray

Three Wise Girls (William Beaudine, 1932)

Kalagh [The Crow] (Bahram Beyzaie, 1977)

The story of The Movie Orgy as told by Joe Dante to Alex Fitch

Great Expectations at the Cinémathèque suisse [in French]

Four Sided Triangle (Terence Fisher, 1953)

Great Expectations: British Postwar Cinema Book

The director who wasn’t there: Mohammad Rasoulof on The Seed of the Sacred Fig

Great Expectations: British Postwar Cinema, 1945-1960

Il Cinema Ritrovato 2025: Favourites & Discoveries

Katharine Hepburn: All About Me (David Heeley, 1993)

Il Cinema Ritrovato 2025 | Films on Film

Il Cinema Ritrovato 2025: Twenty Recommendations

Safar (Bahram Beyzaie, 1972)

Online with SFFP—Discussing the Work of Lewis Milestone

Cecil Taylor à Paris (Gérard Patris, 1968)

Ida Lupino: The Best of Her Television Work

Il Cinema Ritrovato 2025 | Which Films Play in Each Strand

Lewis Milestone Retrospective at Il Cinema Ritrovato 2025

Centenary screening of Grass (1925) with live music by Payman Yazdanian

British Postwar Cinema: Five Personal Favourites

​Understanding the Dark Edge: British Postwar Cinema at Locarno – A Conversation

Great Expectations: British Postwar Cinema | Variety Interview